2024年同年在電影??院里看的，??《來(lái)聊聊須緒美吧》通過講述須緒美(měi)失蹤后，其五位前夫?qū)λ厝徊煌?jié rán bù tóng)的描述，表達(dá)了多方面的內(nèi)涵。具體(jù tǐ)如下：
? 揭示真相的相對(duì)性與主觀性：影片(yǐng piàn)運(yùn)用多人物、多視角的敘事方式(fāng shì)，展現(xiàn)了五位男性眼中各不相同的須緒(xū xù)美，反映出在信息時(shí)代，人們對(duì)同一(tóng yī)事物的認(rèn)知因個(gè)人視角和主觀(zhǔ guān)感受的差異而不同，真相并非絕對(duì)(jué duì)，而是具有相對(duì)性和主觀性。
? 展現(xiàn)“男性凝視(níng shì)”下的女性形象：五個(gè)男人??對(duì)須緒(xū xù)美的描述，體現(xiàn)了“男性凝視”在塑造(sù zào)女性形象中的影響。須緒美在(zài)他們眼中是不同類型的女性，或傲(huò ào)嬌任性，或賢妻良母等，這揭示了(le)女性形象常被男性根據(jù)自身需求(xū qiú)和想象所構(gòu)建，反映出女性在(zài)這種凝視下的被動(dòng)與被塑造(sù zào)狀態(tài)。
? 探討女性被符號(hào)化和社會(huì)建構(gòu)(jiàn gòu)的復(fù)雜性：須緒美在不同婚姻中(zhōng)呈現(xiàn)出不同面貌，一定程度上揭示了(le)女性被符號(hào)化和社會(huì)建構(gòu)的復(fù)雜性(fù zá xìng)。她為了迎合丈夫們的期望，變成(biàn chéng)他們想要的樣子，反映出社會(huì)對(duì)(duì)女性角色的多種定義和期待，以及(yǐ jí)女性在這種環(huán)境下的生存狀態(tài)(zhuàng tài)。
? 引發(fā)對(duì)愛??情與人性的思考：影片(yǐng piàn)通過五個(gè)男人??對(duì)須緒美不同的(de)回憶與情感，展現(xiàn)了愛??情的復(fù)雜性(fù zá xìng)和人性的多面性。每個(gè)角色對(duì)于愛??情(ài qíng)的理解與表達(dá)各異，讓觀眾思考(sī kǎo)究竟什么才是真正的愛??情，同時(shí)(tóng shí)也呈現(xiàn)出人性中的自私、虛榮等(děng)特質(zhì)，以及人們?cè)诿鎸?duì)感情和利益(lì yì)時(shí)的種種表現(xiàn)。
? 傳達(dá)女性獨(dú)立的(de)主題：影片末尾，須緒美以“女性獨(dú)立”解釋(jiě shì)自己策劃失蹤鬧劇的動(dòng)機(jī)，表達(dá)了(le)對(duì)傳統(tǒng)女性依賴男性生活模式的(de)反抗，傳達(dá)出女性渴望擺脫束縛、追求(zhuī qiú)自我獨(dú)立生活的愿望。Let's Talk About Sonomi is a 2024 Japanese comedy-suspense film written and directed by K?ki Mitani, starring Masami Nagasawa. The film tells the story of Sonomi, the wife of wealthy poet Samukawa, who suddenly goes missing. Kusanagi, a detective and Sonomi's ex-husband, learns the news and comes to investigate. Subsequently, several other ex-husbands of Sonomi also appear one after another, including Uoyama, a servant in Samukawa's house, and Tokachi, an internet celebrity. They gather at the mansion, trying to provide clues.
However, strangely, the Sonomi in the eyes of these five men is completely different in both appearance and personality. Uoyama claims to be Sonomi's first husband, and in his memory, Sonomi is傲嬌 and任性; internet celebrity Tokachi feels that Sonomi is loyal and righteous; Kusanagi thinks Sonomi is a fool in daily life; Samukawa sees Sonomi as a virtuous wife and good mother; another ex-husband believes Sonomi is Chinese and only communicates with him in Chinese.
During this period, they receive a ransom call from the kidnappers, demanding 300 million yen. But as the investigation deepens, various signs suggest that this may be a drama directed and performed by Sonomi herself. The "kidnappers" know the situation in the mansion very well and seem to be able to keep track of their discussions in real time. Through the multi-character and multi-perspective narrative, the film shows the conflict between the relativity and subjectivity of truth in the information age, and also reveals the complexity of women being symbolized and socially constructed.
