亚洲av永久无码天堂影院,亚洲av成人无码一二三在线观看,亚洲日韩欧洲乱码av夜夜摸,久久久久亚洲波多野结衣

The talk

Nana: Why are you reading?

Parain : It's my job.

Nana: It's odd. Suddenly I don't know what to say; it often happens to me. I know what I want to say. I think about whether it is what I mean. But when the moment comes to speak, I can't say it.

Parain: Yes, of course. You've read the Three Musketeers?

Nana: I saw the film, why?

Parain: Because in it, Porthos, this is really in Twenty Years Later, Porthos, all strong, a little stupid, he has never thought in his life. He has to place a bomb in the cellar to blow it up. He does it. He places the bomb, lights the fuse, then he runs away of course. But suddenly he begins to think. What about? How is it possible to put one foot before the other? You must have thought about that too. So he stops running. He can't go on. He can't move forward. The bomb explodes, the cellar fell on him. He holds it up with his shoulder. But after a day, or maybe two, he is crushed to death. The first time he thought, it killed him.

Nana: Why did you tell me that story?

Parain : No reason, just to talk.

Nana: Why must one always talk? Often one shouldn't talk, but live in silence. The more one talks, the less words mean.

Parain: Perhaps. But can one?

Nana: I don't know.

Parain: I've found that we can't live without talking.

Nana: I'd like to live without talking.

Parain: Yes, it would be nice, wouldn't it? Like loving one another more. But it isn't possible.

Nana: But why? Words should express just what one wants to say. Do they betray us?

Parain: But we betray them, too. One should be able to express oneself. It has been done in writing. Think: someone like Plato, can still be understood - he can. Yet he wrote in Greek, 2,500 years ago. No one really know the language, at least not exactly. Yet something get through, so we should be able to express ourselves. And we must.

Nana: Why must we? To understand each other?

Parain: We must think, and for thoughts, we need words. There's no other way to think. To communicate, one must talk, that is our life.

Nana: Yes, but it is very difficult. I think life should be easy. Your talk of the Three Musketeers may make a good story, but it's terrible.

Parain: Yes, but it's a pointer. I believe, one learns to talk well only when one has renounced life for a time. That's the price.

Nana: So, to speak is fatal?

Parain: Speaking is almost a resurrection in relation to life. Speech is another life from when one does not speak. So, to live in speech, one must pass through the death of life without speech. I may not be putting it clearly, but there's a kind of ascetic rule that stops one from taking well until one sees life with detachment.

Nana: But one can't live everyday life with... I don't know

Parain: With detachment. We balance, that's why we pass from silence to words. We swing between the two because it's the movement of life. From everyday life one rises to a life we call superior, the thinking life. But this life presupposes one has killed the everyday too elementary life.

Nana: Then thinking and talking are the same thing?

Parain: So I believe. Plato said so, it's an old idea. One cannot distinguish the thought from the words that express it. An instant of thought can only be grasped through words.

Nana: So one must talk and risk lying?

Parain: Lies too, are part of our quest. Errors and lies are very similar.

Nana: (Tries to interrupt)

Parain: I don't mean ordinary lies, like I promise to come tomorrow, but I don't, as I didn't want to. You see, those are ploys. But a subtle lie is a little different from an error. One searches and can't find the right word. That's why you didn't know what to say. You were afraid of not finding the right word, that's the explanation.

Nana: How can one be sure of having found the right word?

Parain: One must work. It needs an effort. One must speak in a way that is right, doesn't hurt, says what has to be said, does what has to be done, without hurting or bruising.

Nana: One must try to be in good faith. Someone told me: "There is truth in everything, even in error."

Parain: That's true. France didn't see it in the seventeenth century. They thought one could avoid error, and what's more, that one can live directly in the truth. It isn't possible. Hence Kant, Hegel, Germany philosophy: to bring us back to life, and makes us see that we must pass through error to arrive at the truth.

Nana: What do you think about love?

Parain: The body had to come into it. Leibnitz introduced the contingent. Contingent truths and necessary truths make up life. German philosophy showed us that in life, one thinks with the servitudes and errors of life. One must manage with that, that's true.

Nana: Shouldn't love be the only truth?

Parain: For that, love would always have to be true. Do you know anyone who knows at once what he loves? No. When you are twenty you don't know. All you know are bits and pieces, you make arbitrary choices. Your "I love" is an impure affair. But to completely at one with what you love you need maturity. That means searching, that is the truth of life. That's why love is a solution, on condition that it is true.


字幕來源: https://www.youtube.com/watch?v=VUp_du3awI0

與Nana交談的學(xué)者為法國(fǎ guó)哲學(xué)家 Brice Parain (Courcelles-sous-Jouarre, 10 March 1897 - 20 March 1971 ) https://en.wikipedia.org/wiki/Brice_Parain

《阿凡達(dá)》:最想環(huán)游的世界??,我曾(céng)存在150分鐘

觀影時(shí)間:12月17日9:00am。 觀影地點(diǎn):HK尖沙咀UA。 觀影(guān yǐng)版本:IMAX 3D。 稍微對(duì)電影??有點(diǎn)興趣的人(rén)都知道內(nèi)地元月將有一部科幻(kē huàn)大片《阿凡達(dá)》上映,聽說很好看。還有(hái yǒu)一些不那么關(guān)心電影??的人,掃(sǎo)一眼網(wǎng)絡(luò)上公交站牌??上的廣告,以為(yǐ wéi)《泰坦尼克號(hào)》的導(dǎo)演花了12年時(shí)間翻拍(fān pāi)...

49.08K
2周前

7D影院娛樂:新時(shí)期歷史劇怎么拍?

衛(wèi)子夫也不再是過去苦命的蕩秋千(dàng qiū qiān)形象,而是轟轟烈烈的一生。慈禧到底是(shì)田中裕子那樣的富貴老太,還是呂中的(de)“我要洋人死”?!跋喈?dāng)于你玩一款叫(jiào)保衛(wèi)南京的游戲,結(jié)果發(fā)現(xiàn)自己的武器(wǔ qì)是武士刀。

69.11K
1周前

有臥底沒即興,掛羊頭賣狗??肉的爛片

一部劇本都沒想明白就草??草??拍(pāi)出來的網(wǎng)大,一點(diǎn)都不好笑,也(yě)完全沒有體現(xiàn)即興喜劇的精髓。主創(chuàng)(zhǔ chuàng)似乎忘了自己是在做喜劇(xǐ jù),光顧著拍犯罪驚悚內(nèi)容,忘記搞笑(gǎo xiào)了。拋開主角的即興喜劇演員身份,完全(wán quán)就是一部普通的犯罪驚悚片。 故事乍一聽(zhà yī tīng)很有意思,三個(gè)即興喜劇演員去黑幫當(dāng)(dāng)臥底,利用...

43.22K
2周前

DC《閃電俠》曝概念推廣圖 下周在Cinema Con進(jìn)行(jìn xíng)放映

7D影院訊DC《閃電俠》將于下周,也就是(jiù shì)4月24日開始的CinemaCon展會(huì)上率先放映(fàng yìng)全片,6月16日北美公映。近日影片曝光(bào guāng)一批推廣圖(用于T恤等周邊產(chǎn)品使用(shǐ yòng)),可以近距離觀察幾個(gè)主角的造型。 在(zài)經(jīng)歷

60.86K
2周前

法海不通紅塵愛??,少年不識(shí)老來愁(chóu)《雙狼??》電影??日記

當(dāng)電影??《某種物質(zhì)》刻畫一位女性健美(jiàn měi)領(lǐng)舞在其職業(yè)生涯中,不斷迎合觀眾(guān zhòng)與政績,逐漸將職業(yè)異化至個(gè)人身份(gè rén shēn fèn)的過程時(shí),我們能清晰地觀察(guān chá)到其對(duì)對(duì)立面,也就是男性上級(jí)(shàng jí)的描繪。相較于《雙狼??》,后者在展現(xiàn)(zhǎn xiàn)男性角色因職業(yè)壓力與壓迫,導(dǎo)致(dǎo zhì)職業(yè)病異化至個(gè)人,并最終形成矛盾(máo dùn)指向時(shí),...

72.77K
2周前

舒淇首部自編自導(dǎo)電影??作品《女孩??》 入圍(rù wéi)威尼斯電影??節(jié)主競賽

第82屆威尼斯國際電影??節(jié)于今日(7月(yuè)22日)公布競賽單元入圍名單,舒淇首部(shǒu bù)自編自導(dǎo)的電影??作品《女孩??》榜上有名。第一(dì yī)時(shí)間獲知喜訊的舒淇特別感謝侯孝賢導(dǎo)演(dǎo yǎn),“沒有他,就沒有《女孩??》?!?舒淇此前

17.34K
2周前

二維動(dòng)畫《傘少女》定檔7月6日,珍稀(zhēn xī)物件在歲月的洗禮下悄然覺醒(jué xǐng)

7D影院訊 今日,二維國風(fēng)動(dòng)畫電影??《傘少女(shào nǚ)》官宣定檔7月6日,同步曝光“物靈覺醒(jué xǐng)”版定檔預(yù)告和海報(bào)。影片由沈杰(shěn jié)導(dǎo)演、孫凌宇擔(dān)任總制片、劉敏監(jiān)制,改編自(gǎi biān zì)左小翎編劇、畫師魏瑩操刀的原創(chuàng)漫畫(màn huà)《傘少女夢(mèng)談》。

50.10K
2周前

成龍新片《龍馬精神》曝“龍虎??武師”版預(yù)告(yù gào),成龍吳京本色出演

7D影院訊 由楊子編劇、執(zhí)導(dǎo),成龍、劉浩存(liú hào cún)、郭麒麟領(lǐng)銜主演的電影??《龍馬精神》將于(yú)4月7日全國上映。今日,電影??發(fā)布“龍虎??(lóng hǔ)武師”版預(yù)告,讓“龍虎??武師”這個(gè)鮮為人知(xiǎn wéi rén zhī)的群體再次走進(jìn)觀眾視野。 做替身(tì shēn),玩特技,跑

46.43K
2周前

嘲諷篇之《揚(yáng)帆》

演員Freddie Jones在片中扮演一名為奧朗多(duō)的記者,奧朗多即是本片中(zhōng)的記錄官形象。 顯然,同為歐洲(ōu zhōu)電影??導(dǎo)演,費(fèi)里尼沒有赫爾措格和伯格曼(bó gé màn)那種尖銳的批判鋒芒。此片帶來的(de)幽默感沒有《這些女人??們》作為諷刺戲劇(xì jù)式的嚴(yán)肅,也不似劉別謙的那些(nà xiē)流暢的幽默小品中對(duì)人性某些(mǒu xiē)弱點(diǎn)進(jìn)行...

73.28K
2周前

7D影院工廠:至今都讓人無法原諒的(de)十大爛劇,毫無下限,侮辱觀眾智商

路邊的狗??都要說一句她是(shì)絕世美女。TOP8:《東八區(qū)的先生們》槽點(diǎn)(diǎn):張翰的“油膩宇宙”巔峰之作該劇播出(bō chū)時(shí),可謂是罵聲一片,央視都出來(chū lái)點(diǎn)名批評(píng)了。綜合來看,該劇把電(diàn)競比賽當(dāng)娛樂,根本沒體現(xiàn)出(chū)真正的電競精神,對(duì)青少年的(de)影響尤其不好。

55.87K
2周前