這部電影??題目翻譯方法有兩種。通譯(tōng yì)（包括英文）是“圣地亞哥在下雨”，另一種(yī zhǒng)翻法是“圣地亞哥的風(fēng)暴”，涉及歷史事件(shì jiàn)是智利民選總統(tǒng)薩爾瓦多·阿連德被后來智利(zhì lì)軍政府頭子皮諾切克殺害，由此，詹明信意義(yì yì)上的六十年代終結(jié)了。

這部電影??音樂(yīn yuè)是由阿根廷探戈大師阿斯特·皮亞佐拉(zuǒ lā)創(chuàng)作的。BT上有個皮亞佐拉電影??(diàn yǐng)配樂的全集，包括索拉納斯的《Sur》在內(nèi)(zài nèi)，4.7G，大半是flac文件，感興趣的朋友可以去(qù)找找。用google關(guān)鍵詞"Il pleut sur Santiago Astor Piazzolla"即可。

本片出品國家(guó jiā)是法國和保加利亞，看到片尾字幕工作人員(gōng zuò rén yuán)里“XX夫（-v）”一大群。片子主要講法語，僅(jǐn)部分阿連德的講話是原版西班牙語錄音(lù yīn)。顯然不是實拍也不會是實拍。法國(fǎ guó)駐智利的記者占據(jù)了一個重要(zhòng yào)視點。查了一下導(dǎo)演Helvio Soto的資料，英文(yīng wén)的很少，imdb提供資料如下：

Date of Birth:21 February 1930, Santiago, Chile（February 21）
Date of Death:29 November 2001, Santiago, Chile（November 29）

（日期根據(jù) http://www.cinenacional.com/personas/index.php?persona=27233 ）

google一番(yī fān)未果，再從google圖片搜索，結(jié)果連到(dào)兩個比較有用的網(wǎng)頁：

http://www.emol.com/noticias/magazine/detalle/detallenoticias.asp?idnoticia=289101

http://www.quepasa.cl/medio/articulo/imprimir/0,0,3255_5700_175170315,00.html

都是西班牙文(xī bān yá wén)網(wǎng)頁。經(jīng)過google翻譯器，大概知道的信息如下(rú xià)：

1、Helvio Soto一度流亡法國。

2、2001年死于肺癌。

3、1969年(nián)拍過一個貌似很牛??的關(guān)于(guān yú)太平洋戰(zhàn)爭的片子《Caliche sangriento》（Bloody Nitrate，姑且譯作“血??腥硝石礦(kuàng)”，“was a critical look at the conflict between Chile, Peru and Bolivia.”目前一批專家正在修復(fù)這個片子。最近(zuì jìn)Helvio Soto被智利重新關(guān)注也來自這個片子(piān zi)。

后來又搜到一個網(wǎng)頁（還是通過google圖片(tú piàn)）：

http://www.festivalcinenorte.cl/main.html?src=/14529.html%3F*session*id*key*%3D*session*id*val*
（導(dǎo)演Soto）

有一段關(guān)于Helvio Soto的介紹：（google翻譯后(hòu)的）

The lawyer Helvio Soto (1930-2001) is considered one of the most important film directors of our country, stressing, especially in the period of so-called Nuevo Cine Chileno. After working as an assistant in Argentina and radio stations of Ecuador, returns to Chile at a time when the cinema was experiencing significant growth.

His first film was "I had a comrade," who performed with the support of the Experimental Theater at the University of Chile in 1964. After his early short films, Helvio Soto made "Monday, 1 Sunday 7," feature film, with photographs of Ferdinand Bellet. After filming "Bloody Caliche," which was censored by the government of Eduardo Frei Montalva to pressure from the military.

When launching the government of Salvador Allende in 1970, Helvio Soto assumed administrative duties at National Television, exercising his parallel job as director of several television series. In 1971 he performed his next feature film "Voto more rifle," a critical eye on the history of Chile, which was received on an irregular basis. Later films "Metamorphosis of the head of the political police," which fails to be exhibited in Chile because of the coup d'état, however, as presented in Europe. His filmography continues with "It's raining on Santiago," his first film 'European', which portrays the days of the coup d'état, torture, abductions and disappearances, was acclaimed in Europe, Asia and North America, but banned by the Chilean dictatorship.

Helvio Soto lives in exile and returned to Chile but not until the nineties, where he begins a teaching career, which trains new generations of filmmakers, giving them a perspective of cinema as an artistic expression committed more than a purely commercial activity. He died on November 29, 2001 to 71 years.

如此說來，還有“智利電影??新浪潮”（El Nuevo Cine Chileno）這個東西(dōng xī)存在啊……
根據(jù)這段材料，Helvio Soto在阿連德(ā lián dé)時期管理智利國家電視??臺，同時導(dǎo)演了(le)幾部電視???。ǜ鶕?jù)imdb材料，僅有"Loco estero, El" (1968) TV series (1968) 一部，大約(dà yuē)兩者必有一個有誤）。1973年的電影??被(bèi)軍政府禁映。流亡歐洲之后拍攝了著名(zhù míng)的《圣地亞哥在下雨》，在歐洲、亞洲、北美(běi měi)轟動（看到Imdb的一個影評說北美某次(mǒu cì)放映之后全體起立鼓掌5分鐘），同樣必然(bì rán)被禁映……

又搜索了一下“智利電影??(diàn yǐng)新浪潮”，有個關(guān)于智利電影??史的網(wǎng)頁：
http://www.memoriachilena.cl/temas/dest.asp?id=cinech50nuevo
另外(lìng wài)則是終于找到了一個靠譜(pǔ)的網(wǎng)頁：
http://es.cinechile.wikia.com/wiki/Helvio_Soto
在這個網(wǎng)頁上沒有比(bǐ)上面貼出來的那段英文更多的(de)信息了……于是搜索的奧義就是——在(zài)這個地方： www.google.cl ，嗯……這次的關(guān)鍵詞是“Helvio Soto Filmografía”，不(bù)懂西班牙語的人便只好靠google了(le)呀……
然后找到了更多的信息(xìn xī)，是這個網(wǎng)頁：
http://eljineteinsomne.blogspot.com/2008/08/una-entrevista-helvio-soto-andrs.html
（可以看這個地址： http://translate.google.cn/translate?u=http%3A%2F%2Feljineteinsomne.blogspot.com%2F2008%2F08%2Funa-entrevista-helvio-soto-andrs.html&hl=zh-CN&ie=UTF-8&sl=es&tl=en ，是(shì)翻譯成英文的）
非?？孔V，是Soto在(zài)準(zhǔn)備《圣地亞哥在下雨》時的一篇訪談(fǎng tán)，摘生平如下：
Helvio Soto: "The films that excite me are those that reveal a real concern for others"
Helvio Soto (1930 - 2001) is considered one of the most important film directors in Chile. Extended the studies of law and director of actors, and published the novels "Something like that" (1957), "The Pit" (1960), "Week after week" (1967) and the political essay "Revolution is freedom" (1963 ), Noted as a filmmaker before, especially in the period of so-called Nuevo Cine Chileno, with his sharp political content of films. His filmography includes "Monday 1, Sunday 7" (1968), "Caliche bloody" (1969), "Voto more gun" (1971), "Metamorphosis of the Chief of Police Politics" (1973), "It's raining on Santiago "(1975)," The triple death of the third character "(1980) and" Americonga "(1984). After his return from exile imposed by the criminal military dictatorship, Soto was devoted to teaching at the University of the Arts and Communication Sciences, forming new generations of filmmakers from the perspective of cinema as art rather than as a compromised activity purely commercial. In early 1974, when they began to prepare his film about the military coup, was interviewed by Argentine journalist Alfredo Andres (1934), Friend of the journal "Filming and Watch", in which 4 (Buenos Aires, January 1974 ) Appeared the note.

Soto的電影??理念據(jù)說受到(shòu dào)了意大利新現(xiàn)實主義和蘇聯(lián)社會主義現(xiàn)實主義(xiàn shí zhǔ yì)的影響。這個網(wǎng)頁告訴我們，他也(yě)出版過小說，發(fā)表過政論文章，拍(pāi)的電影??也被認(rèn)為是政治電影??(diàn yǐng)。OK，差不多了……阿連德的困境跟卡斯特羅的(de)困境很相似，卡斯特羅還送了阿連德(ā lián dé)一把槍……不同的是古巴成功了(le)而智利失敗了。格瓦拉說得對。

最后說(shuō)兩句關(guān)于這部電影??的吧。當(dāng)然，最上(zuì shàng)等的是皮亞佐拉的音樂，電影??(diàn yǐng)里音樂倒用的很節(jié)制，沒怎么(zěn me)煽情。有三個段落很精彩，一個是(shì)阿連德和總統(tǒng)府剩下的18個人逐一戰(zhàn)死(zhàn sǐ)的時候（雖然各種穿幫，比如人倒下(dǎo xià)了衣服上連彈孔都沒有），升格(shēng gé)鏡頭剪得很華麗，頗有吳宇森的(de)范兒（當(dāng)然我確定他那個時候還(hái)沒有吳宇森），最上等的處理在于只有(zhǐ yǒu)音樂而沒有現(xiàn)場聲。其二是體育館(tǐ yù guǎn)里軍政府處理鬧事學(xué)生?????的大場面(chǎng miàn)，作為一個段落很飽滿。然后便是結(jié)尾(jié wěi)，給聶魯達(dá)送葬（國葬？）的場面。不過就(jiù)影片而言，試圖用全景式的手法來寫(xiě)，結(jié)果各說各的，不算成功，畢竟影片(yǐng piàn)政治立場在前，而且Soto的選擇是直接(zhí jiē)處理。另外則是對阿連德總統(tǒng)的(de)處理，“扮演”阿連德的演員，除了戰(zhàn)死的(de)一場戲幾乎沒有正面鏡頭，我數(shù)了(le)一下僅兩三個，多是在畫面的(de)前景處露一個背影，或者是虛焦(jiāo)處理?；緵]有臺詞，幾次著名的講話(jiǎng huà)也是用錄音。當(dāng)然，在Soto的心里(xīn lǐ)，阿連德是“不能被扮演”的。這部影片(yǐng piàn)的價值在于直面的勇氣和當(dāng)然(dāng rán)的左派立場。最有趣的一點是(shì)，皮諾切特政變的日期是——73年9月11日(rì)。911短片集里，Ken Loach正是用這一事件來(lái)形成與911的互文。似乎是因果報應(yīng)，但(dàn)實際情況并非如此，智利政變是新自由主義(zì yóu zhǔ yì)的勝利，是智利的悲劇，而911卻是(què shì)“人類”的災(zāi)難，是恐怖分子“反人類”的(de)行為。如此我們還能說什么呢(ne)。

漫長的六十年代，在圣地亞哥的“大雨”中(zhōng)結(jié)束了。電影??里面，那個清晨廣播里(lǐ)的“圣地亞哥在下雨”是一個邀請聽眾(tīng zhòng)參與的謎語，卻變成了一個令人(lìng rén)毛骨悚然的讖語。這么多年過去了，那些(nà xiē)人物早以風(fēng)流云散，世界??卻還是格瓦拉(gé wǎ lā)所言的帝國主義統(tǒng)治世界??，甚至比那個(nà ge)時候更殘酷。Soto的悲憤仍然那么的(de)令人難過。

http://www.mtime.com/my/yinxiang/blog/1544359/